Becoming Mother

A book and a blog for first-time mothers

Tag: story

Three Years Gone, Dreaming of my Dad

Maybe it started when I fell while I was running.

That was June 1st.

5:30 a.m.

Maybe that’s when this rough patch started.

While jogging in the dark, my foot must have caught on a piece of raised sidewalk and I fell forward and hit the concrete just as a minivan was passing me.

Left knee, right knee, left hand, right hand. I saved my face. (At least physically.)

The minivan kept going.

For a moment, I just lay there against the concrete, gauging my pain.

I hurt. But I didn’t think I had broken anything. I couldn’t see how badly I was scraped up, but I felt it mostly on the outer edge of my left hand and my right thumb, which was warm and wet. Blood, for sure.

What else to do but keep jogging home with bleeding hands?

***

I’ve only had a few dreams of my dad since he passed away three years ago, but they’ve always come around this time of year.

In the first dream, I walked into a convenience store and was looking for a jug of milk to buy. (Who knows why. I hate drinking milk.) After I pulled it out of the refrigerator case, I saw four men sitting at a small booth, playing a card game. All their heads were lowered, studying their cards.

I walked over and even though I couldn’t see their faces, I just knew that one of them was my dad. I don’t remember what I said to him, but we talked like we always did — our eyes looking at other things, words passing between us that didn’t really resemble anything like what we really wanted to say.

Like, I miss you.

Like, I love you.

Still, whatever we said was comfortable and familiar enough to make us feel like all was well.

It was then that I realized that my ride was leaving.

“I have to go, Dad.”

“Don’t leave,” he told me, still not looking up. Still staring through his cards.

I kissed him on the head, complete with his bald spot, and I told him that I would come back.

“It will be too long. I don’t want to be alone,” he said.

“I swear, I’m coming back, Dad.”

He didn’t lift his head. He just sat there, sad and withdrawn, just as he did for the last few years of his life. Completely alone, even in the midst of company.

I kissed his head again and walked toward the door.

When I got to the door, I turned around and told him, “This is where we can meet, okay? This is where we can find each other. I’ll come back. I promise.”

I woke up feeling empty.

I’ve never been able to get back to that convenience store.

***

A few nights ago, as the anniversary of his death approached again, I dreamed again of my father.

It was a scene I’ve lived a thousand times before — riding in the car next to my dad, his left hand balanced casually on the steering wheel, his elbow resting on the edge of his open window. He was talking a mile a minute about everything and anything, the way he did when he descended into periods of mania. At first, it was normal. Just dad talking and talking and talking while I was looking out the window.

Then, it started to snow. And snow. And snow.

The drifts piled up around the car as we drove. But then he veered into the parking lot of the K-Mart in the town where I grew up. He started driving in a circle, talking faster and faster, the tires kicking up snow around us. I told him to slow down, but he wouldn’t. As the car picked up speed, we spiraled once, twice, three times, four times.

With each pass, I tried to keep my eyes on a fixed point outside of the car. The McDonald’s. The apartment building. The ATM. Anything that would keep me anchored to reality.

Maybe, if I could keep my eyes on something, I could slow us down.

Maybe, this time, I could be the one to anchor both of us.

Maybe, this time, I could keep the world from spinning, keep him from sliding into depression, keep him from falling and breaking his neck.

But we kept spinning and spinning and spinning.

In my dream, I started screaming.

And then I was beside my mother, and we were looking at a calendar. She wrote down her birthday, May 9th. But then she crossed out the 9th and wrote in dark letters, May 10th and underlined it.

“What year?” I asked.

She wrote “1” and “9” very easily, but then struggled to write the next number. It came out looking like a gigantic “9” and then a “0.”

“1990?” I asked.

She shrugged. “Sure. It all kind of blends together.”

And somehow, I understood that we were deciding when we would go back in time.

We were trying to get back to a time when Dad was Dad.

***

I woke up a few hours later and went for a morning run in the dark.

Because I’m a glutton for punishment? Maybe.

I prefer to say it’s because I refuse to be beaten by a bad experience (although, there are plenty of times when I am).

It was beautiful that morning. The moon was full and still high in the sky at 5:00 a.m. I watched the sidewalk much more carefully than before and walked for a few minutes before I started jogging.

full moon

The Head and the Heart played on my Pandora station.

Darling, this is when I met you.
For the third time not the last
Not the last time we are learning
Who we are and what we were.

You are in the seat, beside me.

You are in my dreams at night.

Turns out,

it’s easier to run with bleeding hands than it is to run with tears.

***

I’m like a lot of people — I only want to believe that dreams mean something when they’re good.

I don’t want to believe that the bad dreams mean anything more than the emotions that I’m working my way through when I have them.

But still.

But still.

My Child is Desensitizing Me to Horror Movies

I’m sleeping in bed. I sleep on my side because the second trimester.

As I’m lying there in the dark stillness of the night, a teeny, tiny voice whispers directly into my ear.

“Hi.”

Yeah. It’s as creepy as it sounds.

SleepTightMain

This has happened to me about six times in the past week. The first time I jumped out of my skin. What the hell!

It was my daughter. Of course it was my daughter. Who else would it be? But it took a moment to get my bearings.

Her excuses for being awake at 1:00 a.m. or 3:00 a.m. or 4:00 a.m. have been varied and numerous.

“I… I… I… I want to go downstairs.”

“I… I… I… I’m hungry.”

“You sleeping, Mommy?”

“I… I… I… I want to watch Dora.”

“I’m ready, Mommy.”

“I… need to go poop.”

“I… need a new diaper.”

For some background, she almost never gets up in the middle of the night. And this is the first time that she has rationales for being awake. I would probably find them more humorous if I weren’t four months pregnant, already waking up three times a night to pee. (Maybe I’ll switch to diapers?). Combined with her shenanigans–which she always seems to bring to me, never to her father–her nighttime calling cards are becoming frustrating.

Sometimes, she doesn’t go to bed right away. Sometimes, she needs to sing herself to sleep with a rousing rendition of “Ten in the Bed.”

While my husband is sawing logs through the whole thing of course. (How do guys do it? I’m so very jealous…)

I think it’s a growth spurt and it will be over soon.

In the meantime, I’m glad I haven’t screamed in her face in terror yet.

The Next Book

About a year ago, in the middle of January, I was trying to fall asleep and out of nowhere, a sentence came to me.

Just one line. A line of dialogue.

It tugged at me. It kept me up.

Who said this line? Why did they say it? Where were they? What were the stakes?

In his book, On Writing, Stephen King compares the process of writing a good story to the process of unearthing a fossil. You see part of the story peeking out of the ground–then you unearth the story by asking the right questions. You don’t imagine a bunch of independent, isolated pieces lying on top of the earth and then try to fit them all together.

You start with one piece–then you see what’s already attached to it.

So that’s what I did. I got out a notebook and I started answering those questions.

And a story emerged.

long story.

Long enough for three books.

I stared down at my notes and thought, I don’t have time for this. I’ve got to finish this book I’m working on right now. When am I going to find time to write another book, let alone three? I’ve got a job. And a toddler.

writing

Still, the story wouldn’t go away. As I drove to work, the plot, the characters, and their motivations took shape. As I listened to music in my car, and I could see critical scenes playing out before me as I drove, much like a movie trailer. One morning while on a short vacation with friends, I got up at 5:30 and spent two hours writing out the first five major scenes.

But then I got stuck. I couldn’t see past a major conflict. I couldn’t figure out how to resolve the conflict in a way that fit with the characters.

So I put it away. I finished the book I was working on. I learned how to publish, how to market, and how reach new readers. I spent time blogging and writing essays to submit for publication elsewhere.

But the story wouldn’t go away.

***

My husband put several books in my stocking for Christmas this year. One of them was Elizabeth Gilbert’s Big Magic.

big magic

I wasn’t ready to read it at first. I was still working through the grief of miscarriage. But within a week, I decided it was time to allow myself to cultivate my creativity again. It was my creativity, after all, that had saved me, time and time again.

In Gilbert’s book, she articulates a belief that ideas come to people, almost like a kind of spiritual possession. And if the person doesn’t try to bring forth the idea to the world, it will move on, seeking someone else to bring it to light.

What a bunch of mystical bullshit, I thought.

But I kept thinking about the story that I had told to wait. I couldn’t deny that it was still lingering there in the deep recesses of my brain. It was like a puzzle that I couldn’t figure out.

So I dug out my notes about the story and the twelve pages that I wrote a year earlier and I read them.

As I moved through the pages I was swept up in the story that my previous self had written. Whose voice was this in these pages? Who wrote this? I know I did, but this doesn’t sound like me at all. It truly felt like I was reading someone else’s great idea.

But I still couldn’t figure out how to resolve the major conflict.

***

This last week, I had coffee with a good friend, Cate. She asked me if I had any desire to write fiction again. I rolled my eyes and shrugged, “You mean besides that one book that I can’t figure out?”

“What book?” she asked.

It occurred to me that Cate was a fresh audience with whom I’d never shared the concept of this book.

I told her everything that I knew. She listened, her eyebrows lifting in interest in all the right places. I had to backtrack a few times to clarify plot lines and motivations, but she stuck with me the whole time. As she asked me questions, I could feel the gears clicking into place again, the story starting to open up and move.

As I drove home, I started to re-imagine the story. What if this… What if that… 

I jotted some more notes down in a new notebook. I scribbled out the plot arcs for all three books. Oddly enough, the most logical and motivating place for me to begin was with the second book.

And so that’s where I’ll begin.

***

After this experience, I can’t totally write off Elizabeth Gilbert’s premise, that ideas knock on our doors, asking for us to bring them to light.

Because where did this first line of dialogue come from?

I have no idea.

While I can rationalize the experience of unearthing the fossil of this story question by question, I cannot rationalize where that first spark of curiosity came from. I can attribute my own imagination as the source that fleshed out the answers to all the questions that surrounded this line of dialogue.

But where did that first line of dialogue come from?

I know it didn’t come from me.

Damn you, Elizabeth Gilbert.

But also bless you, for convincing me to not give up on the idea that wouldn’t go away.

Now the hard work begins.

The Stories Without the Happy Endings

boat_on_lake

We announced my first pregnancy to my husband’s family at a wake.

True story.

I was eleven weeks pregnant with my daughter when Doug’s grandmother passed away. Her nine children, many of her grandchildren children, and even some of great-grandchildren flew in from all over. We had been planning to tell everyone when I was twelve weeks pregnant but… Everyone is going to be here, he said.

So there, in the funeral home, we quietly shared the news as we greeted his aunts, uncles, cousins, brothers, sisters-in-law, nieces, and nephews. I was worried that it would have been wholly inappropriate. That under the great loss of this matriarch, his family would be unable to feel happiness or excitement while deep in grief.

I could not have been more wrong.

I was hugged. Bear-hugged. Kissed on the cheeks.

***

In the midst of grief, gratitude is possible.

It will even save you.

We’d like to believe that emotions are like light switches. Anger and sadness on, happiness off. Some emotions are diametrically opposed like that. And if all emotions were like that, they would be easier to understand.

But some emotions are tricky.

Some emotions make odd companions at different times in our lives.

Pride. Despair.

Love. Grief.

Disappointment. Gratitude.

***

Emotions are more like a rich cast of characters, all vying for center stage. But it’s easy to forget this. When you’re caught up in grief, it’s easy to narrow the emotions that you believe that you’re allowed to feel.

Only the ones that feel appropriate.

Only the ones that you feel you won’t be judged for.

I think if we acknowledged this, we could save ourselves some of the guilt that comes with grief.

Of all people, mothers are acutely aware that the truth is much richer. Much more complex. Much more distressing. That in the midst of your grief, you can feel contentment. Even gratitude. And in moments of gratitude, you can feel resentment and frustration.

Walking with love teaches you that every moment is rich with emotions, even ones that you’d prefer not to acknowledge.

***

Not all stories have happy endings. We know that, of course. We happily acknowledge that fact when it doesn’t apply to us. But it’s harder to own a story that doesn’t have a happy ending. Harder to admit.

Harder to make it your own.

But what if we could? What if we could fold the abnormal into the normal? What if our stories didn’t need to have happy endings or silver linings?

What if our stories could be just what they are?

Sometimes joyous. Sometimes painful. Sometimes redemptive. Sometimes humiliating.

What if we could believe that all of our stories–happy or unhappy–are worthy of being told?

Maybe if we normalized the stories that don’t end happily, the ones that don’t end with an “it’s all worth it,” we could feel less blind-sided when we are struck by tragedy. Maybe we would feel less singled out when we are affected by tragedy. Maybe we wouldn’t feel like we are the focus of God’s wrath or indifference, or however we decide to frame our loss.

If more of us can talk about the hard stuff, it becomes more bearable.

Not because it’s less painful–but because we can see that we’re not walking this path alone.

Dealing with loss is more bearable when we can see that the words Why me? are so misguided. Why me? are the words that we say when we believe our stories have never been lived by anyone else.

Why me? is a lonely phrase. It reduces everything to a simple, defined concept. It is heavy and narrow, like a brick. And the more you say it, the higher you build the walls around you. The higher the wall, you reason, the safer you’ll feel.

But a higher wall doesn’t make you feel safer, does it?

The only thing a higher wall does is keep you from seeing outside.

And what a sight it is.

 

Through Miscarriage

December 3, 2005

And so today, I give myself to you, to share our lifetimes together, be it the best times or the worst.  And if I ever want out, I promise to you to remember today.  To remember you, to remember the first time that I ever saw your face, to remember every tear we shed in joy to cover every tear we’ll someday shed in pain.  I promise to never give up on you, on us, or our life together.

***

When you love someone who is hurting, your first thought is to find a way to make their pain go away. But as you live with someone who is hurting, you begin to understand that covering the pain doesn’t help them. And erasing it is impossible.

The only way out of pain is to go through it.

All you can do is listen.

Wait.

And be ready with open hands when they finally reach out.

***

December 31, 2015

We step off the elevators and round the corner.

Maternity Unit, the sign reads.

A hospital employee scans her ID and the doors open for us.

“This way,” she passes another sign. Maternity Triage.

I think, Here? This is where we’re going?

While my nurse prepares a space for me, I sit on a bed across from a curtained area where a woman breathes and moans. It sounds like she is nearly in active labor. When she is silent, I feel jealousy. When she moans, I feel compassion.

“Why are we here?” my husband asks. “Just to kick you in the teeth while you’re down?”

***

I knew what kind of guy I was falling in love with when we ended one of our first dates by sitting on the monkey bars of his old elementary school.

We were 21 years old, enjoying that hazy week of post-Christmas and pre-New Year freedom. Life was full of movies and eating out and driving nowhere in particular while listening to Radiohead.

We climbed to the top of the bars, our breath coming out in white puffs. The night sky was clear and studded with stars. I was freezing. Absolutely freezing.

And I didn’t care.

We held hands.

Then he said, “I forgot the specific heat of steel was so low.”

I laughed. And laughed.

He was the one. I already knew.

***

 “We just need to get your IV started, draw some blood, and do some paperwork,” my nurse says as she taps away on the computer’s keyboard. She has mercifully moved us to the back of triage, away from the laboring women. “And then you’ll be all ready.”

I lift my hand to my lips and close my eyes. Start an IV… Here we go.

“Are you okay?” she asks in a tone that really means, Are you feeling a lot of emotions right now?

But I’m not thinking about the fact that my baby has died. Not right now. Instead, I’m wondering how hard it’s going to be for her to find a vein.

“So my veins are really small and they roll…” I warn her.

“Let me just take a look.”

She places the tourniquet high on my left arm, rubbing, prodding, tapping. She examines my forearm, somewhere comfortable. Then to the right arm. Repeat.

“Okay, I see what you mean,” she says.

Back to the left forearm.

The cool alcohol swab. The stick. The immediate sting, the burn. I squirm. I yell. The needle pulls away.

I know she hasn’t found a vein.

As I start sobbing, I reach out for Doug and bury my head in his neck. All of my emotions rush forward. All of my thoughts from the past two weeks explode in my consciousness and I let them run wild.

Our baby has died.

Two and a half weeks ago.

I want to let it go.

I don’t want to be its tomb anymore.

Isn’t it enough that I’m ready to let it go?

I don’t want to hurt anymore.

My nurse rubs my knee through the blanket covering my legs. With my eyes squeezed shut, I can hear her sniffing. That is how I know that she is crying too.

***

Shortly after we started dating, Doug saw his mother for the last time.

Lost to her delusional world of paranoia and conspiracy, she cut everything and everyone loose. Parents. Siblings. Husband. Children. Grandchildren. As she slithered away from everyone who loved her, she curled into herself as a last means of self-protection.

In a last ditch effort, Doug tried to talk to her one last time. That was thirteen years ago.

When it ended badly, I held him and his tears darkened my sleeves. I cried with him as he mourned the loss of his living mother.

It was just one of the first emotional storms that we weathered together.

***

I knew this wasn’t going to be easy. But after I came to grips with the words no cardiac activity, I was ready to let go.

The nausea left. The fatigue lifted. My metabolism picked up.

But no blood.

No spotting.

My body held on. It refused to let go.

So I knew this wasn’t going to be easy.

How do you find your way into a body that doesn’t want to open up?

***

My nurse re-examines my right arm starting at the forearm. She rubs and prods my arm, moving down until she is gripping my fingers. She rolls my fingers this way and that, my knuckles moving in waves. The cold swab, the sting of the needle again.

So much hotter and sharper.

I yell. I cry.

She pulls the needle out. “I’m so sorry, hon… I’m going to ask someone else to take a look.”

My teeth start chattering. I start shaking. Doug continues to hold me as I heave.

***

I remember the True Love Waits campaign of my teenage years. Our church’s youth group strongly supported sexual abstinence before marriage.

Sex is the most special gift you can give your partner, a speaker crooned on one of the free promotional VHS videos that our youth group received, along with a catalog to purchase TLW rings and attire. Don’t you want to give your partner the best?, the speaker asked.

As if sex with your spouse is always sacred.

As if sex with your spouse is never selfish or disconnected.

Bullshit, I say.

Sometimes, sex is Oh my God, I need you right now. Sometimes, sex is I love you so much. Sometimes, sex is well, it’s been a while so… Sometimes, it’s we better do it tonight if we want to conceive in this cycle. Sometimes, it’s we’re not going to be able to do it again for the next six days so…

So, bullshit, I say.

Sex isn’t the most intimate gift you can give your partner.

The most intimate gift you can give your partner is your vulnerability. Taking the risk to show the face that you hide from everyone else.

That’s intimacy.

Sex in marriage is a given.

But vulnerability in marriage is not.

***

A second nurse comes to my bed. She rubs her hands together as she circles me, searching for opportunity. She goes for the crook of my left arm.

Burning, pain, more tears.

Then she goes for the soft underbelly of my left wrist. Hot, searing pain sends me shouting and swearing. My legs and feet brace against each other, rubbing up and down, trying to feel anything besides the searing pain in my wrist until she finally pulls the needle free.

“Is it always this difficult to find a vein?” the second nurse asks sensitively.

I shake my head. “It’s because I’m so dehydrated. I always drink a lot of water before a blood draw, but I had to fast for the anesthesia.”

The nurses talk quietly of calling in anesthesiology.

I wonder if we can just leave. Just pick up our things, get the Cytotec on the way home, and spend the night cramping and making bloody trips to the toilet. Even if my body doesn’t want to do that, at least it would be familiar with the process. At least maybe it would let that happen.

I continue to cry into my husband’s shoulder, where a dark circle of tears grows.

***

The last time I cried this much was when my father passed away.

On the night before the funeral, I tried to explain to Doug how I was feeling.

It’s like our family has been holding onto this rope for the past ten years and life is spinning us around. Everyone’s letting go, and flying out in different directions. And soon, no one will be holding on anymore. There will be nothing left of this thing that held us together for so long. And it makes me wonder what family really is when you all let go of the rope.

***

The anesthesiology nurse brings in warm compresses. My first nurse brings in more blankets. Your hands are so icy. Maybe the warmth will help.

More prodding, more rubbing, more tapping, more discussion.

Here? This one looks promising. Oh, what about this one? Wait… is that a tendon? Are you kidding me?

Through my tears, I start laughing. A delirious, dark laugh. I open my eyes to see both of the nurses eyeing my husband’s hands.

“He’s got some nice veins,” I say. “That’s why I married him.”

They chuckle with me.

“Too bad we can’t do him,” one of them says.

The fifth stick—in my right hand.

The sixth stick—underneath my left arm.

My arms are throbbing. My physical pain peaks. My emotional pain flatlines.

Then miracle of miracles—the seventh stick.

The vein that finally accepts the IV, just above my right wrist.

Ecstatic to have finally accessed a vein, the anesthesiology nurse immediately threads it, forgetting to draw the blood.

“Does that mean you’ll have to stick her again?” my husband asks.

My first nurse nods.

He uses his fingers to wipe the sides of my face.

“Let’s give her a break,” my nurse whispers.

***

The cool IV fluid snakes its way through my veins. The image starts a train of thought.

I think about the anthropology unit that my students were studying just before we left for Christmas break. We learned that in the Mayan world, snakes were symbols of transcendence, creatures that could cross easily between two worlds: the world of the living and the world of the dead.

I wonder how I can become like them.

I wonder why it has been so difficult for me to cross back into the land of the living.

At night, my mind replays and replays the silent, motionless figure, floating on the ultrasound screen. Those definitive words, No cardiac activity.

During the day, I feel the weight of simply living while carrying the dead with me. Everywhere I go.

I think about letting go. The prayers, the wishes, the ways that I have resumed my old life. Wine, coffee, sushi, deli meat.

Hoping the mental clarity would speed things along.

Hoping for blood.

***

I open my eyes for the first time in thirty minutes. My blanketed legs are covered in empty needle packages, gauze, and tape. My arms are bandaged here and there. My first nurse pulls a new needle from its package and lets it fall among the rest of the debris on my legs.

I don’t even care anymore. I just want this to be over. I give up.

I go slack in Doug’s arms.

But with the eight stick in the right hand, I tense and cry out, “Mother fuck!”

“Look, she can’t do this anymore,” Doug says. “I’m shocked she hasn’t passed out yet.”

Back to my left hand, the ninth stick. It slides in, no sting.

“Okay…” I mutter. I lean back against Doug’s shoulder. “Okay… This isn’t awful. I don’t like this one, but I can do this one.”

A silence in the room.

“It’s not coming out fast, is it?” I ask.

“No, but it’s fine. Just relax,” Doug says.

“Deep breaths, Sharon. Relax,” my nurse says.

A whole minute passes.

“Try making a fist if you can,” she encourages me.

I try, but closing my hand knocks my fingers against the needle. I imagine not having hands or arms. I imagine sliding out of this moment and slipping into the future.

Another minute passes.

I loosen my grip and focus on being empty.

Because that is what this is.

A complete emptying.

Of emotions.

Of plans.

Of life.

Of death.

Letting it all go.

And hoping that there is something left at the end of it.

***

To move like a snake, you need to give up your arms, your ability to hold on to anything. That’s how snakes flow seamlessly from one world into the next. They don’t cling to anything.

At the same time, nothing can hold on to them. Snakes need to dodge and evade. They need to slip through fingers. They don’t linger in memory or balk at the future. They exist only in the present. They can move easily between both worlds because they don’t love. Nor can they be loved.

But I have loved. Even if my arms could not hold, I have loved.

This is the pain of miscarriage–to love without reward. There is no newborn cry. No tender face or fingers or toes. Perhaps not even the knowledge of knowing the gender of your child. The pain of miscarriage is to love without the possibility of a future. There is nothing but love and pain.

My journey back to the land of the living will not be seamless. I will not slide smoothly past all of these memories, emotions, doubts, fears, and uncertainties.

Because I have loved.

The challenge, then, is to learn how to move through the pain even though I still love.

***

“So this is the consent form to have the procedure of dilation and curettage,” my nurse holds a paper on a clipboard. I carefully lift my right IVed hand to sign it.

Dilation. From Latin, dilatare. “The process of becoming larger or wider.”

Curettage. “A surgical scraping or cleaning by a curette.”

Curette. From French, curer and from Latin, curare. “To cure.”

To enlarge and cure.

***

Staring at the overhead lights in the OR, my anesthesiology nurse clicks a vial of medication into my IV.

“You’re going to start to feel light now.” She rubs my forehead, my hair. Her eyes are bright, but sad. It makes me think she has been through this, too.  “You’ve been through a lot, so just rest now. We’ll take good care of you.”

A final tear slips out of my right eye. She wipes it away.

What I think is, This isn’t working. I wonder when this stuff will finally kick in.

***

Loving is easy. Even natural.

It’s living with love that is hard.

The only way to avoid heartbreak is to choose not to love.

But if you choose to love, grief will take you down into the land of the dead. As you struggle with the grief, you will bleed. If you panic, your struggle will tear away pieces of you. If you panic too much, you will rip yourself to shreds, like an animal caught on barbed wire.

But if you can lift your head when the blood comes, you will see that the bleeding comes from hooks, buried deep in your flesh. Hooks to everyone who loves you. Hooks to your spouse. To your children. To your family. To your friends.

If you can lift your head while you are still bleeding, you can see who is still holding on to you. Then, you can reach up and take the hand that is reaching out for you.

You can move together.

You can climb out.

You will be scarred. You will be stretched. You will be larger, wider, and more flexible.

But the next time you’re caught in grief, you’ll remember to stop and see who is holding on to you.

And who you need to let go.

***

“Sweets?”

I know that voice.

“Hey, baby girl.”

His warm hand on my face.

“Doug?”

“Hey, Sweets. It’s all over. You did great.”

What I remember is

… to remember every tear we shed in joy to cover every tear we’ll someday shed in pain.

What I think is

We can get through this. I promised him I wouldn’t give up.

What I say is, “My wedding vows.”

“What? What Sweets?”

“My wedding vows,” I say louder. My eyes flip open. Light and shapes.

“What about them?” he leans closer.

“I meant them.”

He rubs my hand. “Sweets…”

“I meant them. I want you to know that.”

Design by Franchesca Cox, 2010

Design by Franchesca Cox, 2010

 

 

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