Becoming Mother

A book and a blog for first-time mothers

Tag: dying

Death

August 13, 2022, 4:00 a.m.

I’m running.

My purse knocks against my thighs as I sprint toward the bright red ER sign of the hospital.

It’s okay to go, Mom. It’s okay to go.

My mind flashes to a scene in Contact, where Jodie Foster’s character, Ellie Arroway, is on the verge of being launched into space in an extraterrestrial aircraft. When the spaceship begins shaking as it ignites, through her fear, Ellie continues to utter, I’m okay to go.

Even though she doesn’t know what awaits her on the other side, she continues to say these words.

It’s okay to go, Mom. You don’t have to wait for me, is my prayer.

But I’m still running.

I’m running because none of her children are there.

Because my father died alone, without anyone who loved him to hold his hand.

I’m running because my heart is screaming for just one more moment to be with her before she escapes to places where I cannot follow.

Just one more moment.

Just one more moment.

I’m running because Love compels me.

And I will expend every last ounce of my energy to help someone I love.

The ER sign grows larger in my sight and I am breathless already because I’m so anemic. But I keep running, my heart pounding in my chest, fighting the lightheadedness, my lungs seizing.

And part of me wonders if my heart has known for years that this is how it would all unfold.

If my body was simply following the rhythms of my heart.

And now those early morning runs, my feet pounding the sidewalk at 4:00 a.m., have prepared me for this very moment.

To run to my mother at this very hour, when she needs me the most.

Perhaps my heart has felt this moment approaching for years.

***

(It’s dark.)

I haven’t really slept in days.

(It always seems like it’s dark when these things happen.)

My dreams aren’t dreams right now. They are instant replays of the last three days, holding my mother’s hand, watching her heart rate tick up, up, up as her face loses its color, its tone. Her eyes struggling to remain open.

(Labor and Birth.)

The image had been replaying in my mind for hours and hours.

It’s both too early. And too late.

(Dying and Death.)

***

I burst through the doors to the ER and slow to purposeful walk until I reach a set of double doors. I jiggle them. Locked.

A voice comes on over the intercom.

“Can I help you?”

“I need to get in. My mother is dying.”

A pause.

“Do you need help getting there?”

“No,” I say. Then I repeat the number of the hospital room.

The door unlocks.

And I’m hustling now to the end of the hallway toward the first set of elevators. I need to go to the seventh floor. The buttons read 1, 2, and 3. I press 3, going as high as I can go. I ask for more directions, someone at a nurse’s station, a security guard, a custodian.

Every person stops what they are doing and guides me.

Down this hall, to the left.

What floor? Down that hall, take a second left. You’ll find the elevators to the seventh floor.

What room? Those rooms are in the west wing. Hang a right at the Exit sign.

I’m hurrying down the hallway when I see Doug come out of the room, flagging me down. He hugs me tightly.

“She stabilized again,” he says.

I gaze into the room and see that my mother’s bed has been lowered nearly to the floor. Warren is seated on her left, holding her left hand, the softer, unbroken one.

This room at the top of the hospital is dim, barely lit at all. The brightness and bustle of yesterday’s ICU room proclaimed plans and interventions. Real hospital work. But this room lacks any of that. Instead, it has been emptied, drained of all the light and equipment and interruptions. I wade into its stillness, as if it were a pond, the water barely rippling around my movements as I press forward.

She breathes heavily through her mouth. Says nothing.

There aren’t as many tubes and wires connected to her anymore. Just enough to monitor her heart and oxygen. An IV port for medication. Warren tenderly holds her arm where her last IV was threaded by Maria, an excellent nurse on the fourth floor who took the time to warm my mother’s arm with compresses to thread the IV on the first try into her tiny veins. The tape over the IV still bears the nurse’s initials and the date, MR, 8/11.

The monitor shows her vitals in bright green numbers and letters.

“Her heart rate is 155?” I ask Doug.

He nods.

155 is my heart rate when I’ve been running for 30 minutes.

“She’s been holding at that for hours. Until just before I called you. Her vitals started dropping, but she rebounded.”

He pauses and his voice breaks.

“I think she’s waiting for you.”

I swallow.

I look at her chest rising and falling rapidly, how she is still fighting, even here at this late hour.

We could be here for hours, waiting for her body to surrender.

But I am resolved.

I will bear this moment for her. I will be here for her, no matter how long it takes. No matter how hard this gets.

“Mom, it’s Sharon,” I say. “I’m here.”

She breathes heavily, the cool washcloth still folded over her brow. Her eyes are closed.

I have no plan for this moment. I wasn’t committed to being in the room with her when she passed. I’ve allowed myself to accept whatever fate would have for the end of my mother’s life.

Whatever was bound to happen would unfold just as it should be. And it did not need to involve me.

But here I am.

In this room.

And I know that Death is here.

I feel it thick and still in the air around me. It doesn’t spin around us, like a vortex pulling my mother into some other dimension. It drifts and floats, like dust in the air when the light shines through a window. Only there’s nothing to see. You can only feel it, seeping like thick syrup, settling heavily into your ears, your mouth, your nose. So heavy is Death in this room that simply uttering words takes a concentrated effort, not to mention anything meaningful or heartfelt.

I open my mouth to speak and, at first, I choke, the sob caught in my throat.

I push it down and remember.

I will bear it for her.

“I’m going to play some music for you, okay, Mom?” I say calmly, searching for the live version of Both Sides Now by Joni Mitchell, just recently performed at the Newport Folk Festival less than a month ago. “I’ll start with the one that you said you loved last night. Remember that? I played it for you and you said, ‘I love it.’ It was a little hard to hear you, but I know you said it. Here it is.”

I let the song play without interruption and we all listen to Joni sing to my mother with her haunting, soulful voice. I hold my mother’s right hand, rubbing her knuckles, her fingers. I say nothing.

But now they only block the sun
They rain and they snow on everyone
So many things I would have done
But clouds got in my way

I’ve looked at clouds from both sides now
From up and down and still somehow
It’s cloud illusions I recall
I really don’t know clouds at all

“Both Sides Now” by Joni Mitchell

More tears fall and I wipe them with the back of my hand.

I can tell how loved she is, the ICU nurse on the second floor, Regina, had said as she administered morphine the night before, into the IV that Maria had placed. Two amazing human beings who treated my mother with such compassion.

So many people here with her. You’d be surprised how many people leave this world alone in these rooms.

Have more heart-breaking words ever been said?

The song finishes and soon we are listening to troubles melting like lemon drops, away above the chimney tops, rainbows stretching off into the distance, leading my mother to an unknown land.

I want that so much for her.

Even as my heart cries out for her to stay.

I want for her to wander into a land of rest and peace, where her memories of broken hips and legs and arms and necks, of cancer, of diabetes, of untreatable, chronic pain… Where all these memories become nothing but distant moments in time through which she has persevered. Where she has no need for morphine or demerol or toradol or fentanyl or hydrocodone or any of the other medications that only cut the pain in half.

Tears and more tears. I pull her hand to my wet cheek. Just two days ago, when she could still utter words, I asked her if she was in any pain. She fought to simply whisper the words, “They can never make it pain-free.”

I wish I could have born some of this pain for her.

But I know her better.

She would never have allowed that.

Just as I would never allow my children to bear my pain.

The song finishes again and I look over my shoulder at the heart monitor.

156. 154. 155.

The fog of Death that surrounds us is growing. Why is it getting heavier?

Doug is seated behind me, his head rested against my mid-back, as if literally supporting me so I don’t fall over. Every now and then, I feel him turn to look at the monitors. Warren is gripping my mother’s hand, sometimes pressing it to his face, sometimes lowering to the bed and bending forward over it.

It’s so hard to remain upright. I’m not sure how I could explain to anyone else why, in this moment, simply sitting up and speaking takes unimaginable strength.

But it does.

How many moments has my mother faced that were as heavy as this? What would she do?

And then I know what to play.

The soft notes of the song begin and I’m transported back to those final minutes, laboring with Henry, this song soothing my ears while my screams filled the air and my hips lit on fire. Those last moments just before I hemorrhaged and nearly bled to death on the bed, only minutes after I finally pushed Henry free from me.

“I played this song when I was in labor with Henry,” I say. I pray that she can understand. That she feels my intention. Because I cannot find my words to articulate it in this moment.

What I want to express is that I’ve been here before, in this most sacred of spaces. More sacred than any cathedral or altar. I’ve been here before–But never on this side.

There is a stillness in the air when Life enters this world that I cannot explain to anyone who has not been present for it.

Now, I know that there is also an unexplainable stillness when Life leaves this world.

We all want to bear witness to the beginning of Life. We believe that it is good and holy and pure.

But who wants to bear witness to the end of Life? Even though it is just as sacred?

I will bear it for her, I tell myself.

“Mom,” I hold my voice steady. “I want to tell you that it’s okay to go. You don’t have to stay here for us. We’re all going to be okay.”

I pause and consider what to say next. Doug and Warren are both bent forward, their heads bowed, reverently as I speak, my head lifted, my back straight.

Now, I understand. Why Death is so thick, so heavy.

This room is not empty.

It’s Full.

It’s overflowing with everyone waiting for her.

My father. My mother’s mother. My mother’s father. And on and on. The generations have poured into this room, surrounding her and holding her, just as They held me when I cried out for help in laboring with Henry.

They have returned, these People of my Blood.

My heart almost cannot stand it.

I know what to say now. I close my eyes and I speak without any hesitation.

“And Mom…everyone is here with you. It’s not just me and Warren and Doug. Everyone is here. Anna is here. Nate and Lisa are here. Holly and Corey here. Dominic is here. Felicity and Henry are here.”

The words are spilling forth from me, as if she’s relinquished her sword to me and allowing me to fight this last battle for her.

So I will not stop.

I will do this for her.

I will help her over to the Other Side.

I keep listing all our family, as many as I can remember, all her brothers and sisters, their spouses, their children, her cousins, her friends. My shoulders hurt now, physically ache, simply from the action of sitting upright. I can almost feel my mother transferring her burdens, her cares, her wishes, her regrets, her Love, all to my own shoulders.

Perhaps that’s what Death really is.

A great transfer of all the emotions and cares that one person has carried to those they leave behind.

I will bear it for her.

The hospital door opens, but I don’t look at who it is. Words are still pouring out of my mouth, names, reassurances that we’re going to be okay.

“It’s okay to go, Mom. We will all be okay. You can go. Dad is waiting. Your mom is waiting. Your dad is waiting.”

“It’s okay to go, Mom.”

“It’s okay to go.”

I repeat this over and over, my last reassurance to my mother.

That if she would be courageous enough to press on toward the unknown, I would also be courageous and press on here in her place.

I choose to carry this pain of losing her. For the rest of my life.

Because it will free her.

“You gotta go, Sweetie,” Warren says, his voice as broken as his heart. He clutches her hand to his lips and kisses it, his tears freely falling. “I’ll see you there.”

“Mom,” my voice shakes. “There’s not a single person who loves you who can’t be here for you right now. We are all here and we love you so much.”

Doug taps me, but I keep going.

“But we’re going to be okay, Mom. I promise you. It’s okay to go, Mom. It’s okay to go.”

I say it over and over again.

Doug taps me again, but I keep going.

“And the last thing I’ll say, Mom, before you go…” I take a breath. “I just want to thank you for all the I Love You notes that you’d slip into my sandwiches.”

Warren reaches across the bed, over my mother’s body, and grasps my hand.

“She’s gone, Sharon.”

***

It’s true what they say about how a person changes in that first minute after death. In that first minute after death, I surrender to the wave of grief crashing over me and weep over my mother’s arm and hand until I feel her go cold.

But that coldness is all it takes for me to know wholly and thoroughly that the thing that made my mother who she was–a spirit, a soul, an essence–was not her body. She was not just skin and organs and fluids. She was so much more than this body that is now left, apart from her.

I’m the first to stand up.

It’s surprisingly easy to do.

To get to my feet and walk out of this room, knowing that I’m stepping into the shoes that my mother is leaving behind. She would be the one to say the hardest words to the people who need to know.

I feel it already, the passing on of matriarchy.

I will be the Keeper of Family Memory from now on. The one to memorialize what we’ve lost. The one to keep her memory alive by baking her recipes. The one to be a mother to all of us left behind.

And it starts now. With this walk down the hallway, where I will say the hardest words to say in this moment. I will say it.

At the nurse’s station, a young woman is eating what looks like her lunch, a large bowl of noodles, something that requires her to anchor her head over the bowl to not make a mess. 4:30 a.m. I suppose it is lunch for the night nurses.

She sees me and puts down her spoon.

I point to the room behind me.

“She just passed.”

The nurse’s face goes solemn.

“I’ll let the doctor know right away.”

I shake my head.

“There’s no rush.”

***

Dawn is breaking by the time I arrive back at the hotel.

The sunrise, Saturday, August 13th, Indianapolis, IN

I meet my sister in the lobby of the hotel. She is sitting on a bench, tears already running down her red cheeks. I lean down, hold her by the back of her head, and kiss her forehead. She stands to hug me.

Then, I tell her everything, as much as I have the words for. There is too much that I don’t have words for yet, that I don’t fully understand yet, that I will need time to make sense of, that I will need to find the language for. But I say as much as I can and promise to myself that someday I’ll sit down and commit the sacredness of this morning to human memory, that it may never be lost.

But in this moment, what I say over and over again is this:

“I told her we were all there. And we were. We were.”

Dying

Friday, August 12th, 3:30 p.m.

“She’s out of isolation, so you don’t need to bother with a gown or gloves. Whatever it is, it’s not COVID,” the ICU nurse says. I glance at the whiteboard. Nurse: Megan.

Through the window, I see my mother reclined on the hospital bed, her eyes closed, her chest rapidly rising and falling. This labored breathing has been ongoing for days now, her heart rate increasing steadily over the days. 90. 100. 110. 125. 130.

It holds at 140 now.

140 is my heart rate when I’m jogging or doing kickboxing. And there, she lies, reclined on the hospital bed, her body racing as if accelerating toward some unknown destination in the distance. Does she know where she’s going? And when will she arrive?

What’s causing her high heart rate? I had asked the doctor.

It’s the body’s stress response.

To what?

We don’t know.

There would be nothing else to say until more tests were done. More and more tests.

I look at my mother through the door.

She is dying. Surely, they can see that.

Can’t they?

I slide the door of the ICU room open and step inside and rest my eyes on my mother. And the reality of the situation washes over me again, a horrible reminder. Oh, right. It really is as bad as the last time that I was here, just hours ago.

But then, I realize. No.

It’s not as bad as last time.

It’s actually worse.

I want to tell every nurse and doctor and hospital worker, This isn’t what she looks like. She’s really not like this.

In a week, she has transformed from a robust 68-year-old woman into a woman who looks to be in her 80s. Frail.

I place my cup of coffee on the floor beside the chair next to her bed and sit beside her. The welts that have emerged on her face and arms are starting to crust over. The doctors guess that it’s a reaction to antibiotics to treat a UTI, but it’s just a guess.

I slide my hand under hers. It’s not as hot as yesterday, when her fever was 102, but it’s still so warm. Her fingers are swollen. From what? I don’t know. Why is she breathing like this? There are new masses in her lungs, ones that have grown rapidly at some time in the last month, but is that what’s causing her body to run like its out of control?

Her spinal tap is clear. There’s no infection. Her brain is fine. Her heart is fine. Carcinoid cancer is strange. We don’t know everything about it.

“Hi, Mom,” I said, trying to keep my voice steady. “It’s Sharon.”

I open a document on my phone. It’s a letter that I’ve written to her. I was going to read it at her funeral, but she deserves to hear it while she’s alive. My eyes skate over the first line that I’ve written to steel myself to read it, but I can’t see through the blurry curtain of my tears. They drop freely onto my dress.

That looks so nice on you! she had said, not two months ago. Stitch Fix? I’ve never heard of it!

I look around the room for a box of tissues and see nothing. There are never enough tissues in these rooms. I wipe my face with the back of my free hand as I hold my mother’s hand. Then, I pull a used paper towel from the dispenser in her last hospital room and dab at my face again.

I close the app with the letter to my mother and navigate to a song. Something that has comforted me in the past.

See me someday sleeping softly
Flowers draped across my knees
Hear the cries of friends and family
Missing me
Press on

She’s not gone yet, but I miss her already.

I look down at my mother’s hand.

Just two weeks ago, she responded to my touch. One week ago, she could still acknowledge that I was in the room. Yesterday, with effort, she could say a few words–if they were important. I fed her a small piece of strawberry, and with great effort, she chewed it. Now, when she is aware, her communication has reduced to groans and a look from behind glassy eyes.

In this moment, her eyes are closed. I could almost convince myself that she was sleeping, if she weren’t breathing like she were running a race.

My head drops to her hand and I press it to my cheek, where my tears are now sliding over her knuckles and down her wrists. I turn my head and look up the side of her arm, upward at her as she is reclined in the bed and suddenly she seems as large as she was to me when I was a child. Authoritative. Grand. Only now, silent and suffering.

I want to wake her up, shake her out of this nightmare. I want to curl up in her arms. She was not a mother who would say something like, “Everything’s going to be okay, Sweetie.” Instead, she would say something simpler, like, “Hey, now. What’s wrong?”

Her hand is slick underneath my cheeks, my tears still spilling forth. There is Life there, inside of her, as strong as it has ever been. But not for long. Soon, her hand will turn cold and there will be no warming it up with peach tea or coffee with cream. I can still see the steam rising from her mug as she laughed about my ridiculous guesses for unscrambling words in a puzzle book.

The sadness settling over me is so heavy I cannot even hold myself up and soon, I’m collapsed over the rail of the hospital bed. I’m crawling up the side of the bed now, my face and neck pressed against her arm and hand, gazing up at her. I want her to snap out of this. For her breathing to slow. For her to look over at me and say, “I had the weirdest dream.”

But her face is so thin now. Her face has never been this pale, this thin, this drained of life.

I want to go back. To my beginning. When I was the Protected, and she, the Protector. When it was her tears of joy covering me at my birth, not my tears of sorrow covering her just before her death. How short the years were between those two turning points in our universe. I didn’t always take those years for granted. I cherished them more each time she told us the cancer was back. But how many years had the cancer slept–and I lost sight of my gratitude?

Moments with someone you love become so much more precious when you’re threatened with losing them forever. You find yourself making frequent trips to see them. Cherishing every word they say. Not throwing away their cards. Taking more pictures. More videos.

My mind drifts and I think of the woman who wept upon Jesus’s feet and then wiped away her tears with her hair, just before pouring expensive perfume over his feet.

Why was she crying? Jesus and his disciples believed that it was because she was “a sinful woman” and was plagued with regret.

But no one asked her. They just assumed that she was sad about her sinful life.”

But now I wonder if she knew, in the way that I know now, that Death is at the doorstep. I wonder if she felt the same tight tug at her heart when she looked at Jesus, the tightness that I’m feeling now as I gaze at my mother in these final hours, as if she is being pulled into a thick fog while I am anchored here. Unable to follow, even at a distance.

Even though there was a time when we were so connected that the echoes of our heartbeats rippled throughout the same body. My hiccups were her hiccups, and hers were mine.

Wasn’t there a verse in Isaiah (Was it Isaiah?) that said, Death where is thy sting?

I know where it is. It’s here, in this room. I feel it needling me every time a monitor beeps, announcing some new threshold that my mother has fallen too far below or risen too far above.

The nurse, Megan, quietly enters the room and I don’t even try to hide my tears. What’s the point?

“Here,” she says softly, handing me a hospital washcloth. “This is better.”

I nod, unable to even thank her properly. I push the stiff, paper towels into my purse.

She doesn’t say anything.

There is nothing to say.

Life is filled with bitter music
Breeze that whistles like a song
Death gets swept down like an eagle
Snatch us with our shoes still on

Press on

Behind me, I can hear the soft conversations of nurses in the hallway. I can’t hear the content, but the tone tells me that whatever they’re talking about weighs infinitely less than what is happening in this room.

Do they know? Can they tell what’s happening? Is it obvious to them too?

When do we start using that word, dying? Is it too soon? It doesn’t seem too soon.

Instead, it seems too late for someone to be notifying me. Instead, it seems that I was meant to figure this out on my own. It seems that we are in the wrong place here. ICUs are meant for people to get better. Why is she here anyway? Shouldn’t we be in hospice? Why are we pumping high-flow oxygen into her nostrils and administering potassium?

Why did we do a biopsy? Will the results read as clearly as a pregnancy test? Dying or Not Dying? When are the results supposed to come back? After she’s dead? Why are we still testing?

The sobs overwhelm me and I find myself praying not only to God, but also my father. My grandmother. Any ancestors who will hear me.

Please. She needs someone to guide her. She needs help to find her way forward. I cannot stand to watch her suffer like this another day.

I love her too much to allow this to go on.

There is a doctor’s knock at the door. They all knock the same–an interrupting, quick signal that you are next in line. But I cannot even lift myself to acknowledge the sound. If this doctor’s time is money, they’ll need to pay the price for now. And I will come away from this moment knowing that I owe them nothing. I will not shield them from my pain or my grief. They should know the weight of what is happening here, how the gravity of this moment warps time, slows it down, so that every moment is lived painfully and with the greatest effort imaginable.

They should feel it, if even to a small degree, in the way that I’m feeling it now.

My mother is dying.

Whoever is about to sit with me and talk with me already knows that, too.

***

He’s very kind, this doctor in his late 30s. He uses phrases like, “How are you feeling about her condition?” And “Yes, I agree that it’s time to modify her goals.”

When I ask if we can help her pass without suffering, he says, “We absolutely can.”

Then, a new flood of tears arrives as phrases that should be uttered twenty years from now are spoken today.

We can move her to a private, quiet room. Make her comfortable. Give her morphine for pain. Give her anti-anxiety medication.

How long will it take, we ask as a family.

Could be 30 minutes. A few hours. Or days.

More tears.

I’m hoping for a few hours. Time to say what we want to say to her. To pray. To read to her.

But the thought of wandering for days in this Space Between Worlds…

The thought is crushing.

But I know that I will bear it, no matter how long.

I will bear it for her.

***

The night nurse comes, Regina. I believe she is the Holy Spirit, the Great Comforter, incarnate. She can’t be older than 35, but she speaks as someone who has traveled this road of Death many times. She props her hands on her hips like she’s telling us the specials on tonight’s menu.

“I want to be clear about what we’re doing tonight. We’re going to do a terminal wean. We’ll do everything to make her comfortable and relieve her pain.”

It’s not insensitive the way that she says any of this. Instead, it instantly puts me at peace. What we are doing is not unusual or awful. We are only getting out of the way of Death. We are simply fulfilling my mother’s wishes, even though it means that she’s leaving us behind.

We read last minute messages from friends and family who want to say goodbye. We hold the phone up to her ear to allow family who can’t make it to talk to her. My mother says nothing. She cannot talk. All she can do now is groan, and only when absolutely necessary. She breathes heavily through her nose and mouth, which quickly dries out her lips. The tone in her jaw is gone. She cannot keep her mouth closed. Every time Warren carefully applies Chapstick to her lips, tears sting my eyes.

Can she still hear? I wonder. While half of me is glad that we are talking to my mother as if she can still hear us, the other half of me remains skeptical and wonders if this is all a show to make ourselves feel better.

Her brain is fine, the doctors had said.

As I sit on my mom’s left, my daughter, Felicity, walks in, tears slowly careening down her nine-year-old cheeks. She has been pinballing between entering the ICU room and remaining in the hallway.

Anything you want to do is fine, I assured her. Only do what you want to do.

She sits on my lap, facing away from me. She’s too tall for me to hold her like a baby anymore, so I do the next best thing and bear-hug her from behind.

Felicity gazes over at her grandmother and places her hand on top of hers.

My mother groans.

My chest tightens and I swallow.

“She can hear you, baby girl. She knows it’s you.”

Felicity leaves her hand there as her little body shakes in my lap. I know in this moment, my mother hates that she’s making Felicity sad. She hates that she can no longer mask the fact that she’s dying. She wouldn’t want to scare Felicity. She would despise the fact that the only sound she could make to comfort Felicity was a monotone groan. She would encourage Felicity to not let her condition make her sad. She might even tell Felicity what she had said so many times before, “I’m getting better and better every day, Felicity. Don’t worry about me.”

Without warning, Felicity jumps to her feet and moves to the other side of the bed.

“Can I hug her?” she asks.

“Yes. As tightly as you want.”

She leans across the bed and rests upon my mother and pushes out her shaky words.

“I love you, Grandma.”

Warren helps Regina remove my mother’s neck brace, which had been supporting her nearly healed neck after her most recent fall.

They remove the arm brace, which had been keeping her broken right arm in place.

Regina pulls away the tubing that forces high-flow oxygen from my mother’s nostrils.

A lump rises in my throat as a thought occurs to me.

We are removing all her armor now, letting it fall away, leaving her vulnerable. We all understand that she can’t be any more broken than she is now. Nor, are we are protecting her anymore. We’ve wandered off the road to recovery long ago. Now, we’re on a different path, each of us recognizing it at different times, as if we are each acquiring a new language at different speeds. I’ve been able to read the signposts for weeks, but I know that others have only been able to read them for days.

We are handing Mom over to a Thing that we have all feared, no matter what our faith teaches us. No matter how many cheery faces have told us confidently that there’s Heaven waiting for us on the other side, none of us have seen this destination, nor have we traveled there. Perhaps someday I will find comfort in the thought of Heaven. But not today. Because my mother’s path to get there is covered in thorns, ripping at her mercilessly even as she barrels blindly forward.

She will travel this last path alone, exhausting every weapon and tool that she used in this life. She will do this alone, just as she did when she gave birth four times. Just as she did when she fought through unbearable pain when she broke her back in 2007–and all the years of pain that followed. Just as she has fought this cancer for 24 years.

Like every other time before, she would do this last battle all by herself.

No man has ever come close to demonstrating the strength that my mother has.

Not even close.

She is the only person I’ve known who has chosen over and over again to walk into the shadows of Pain and Loss.

And still found the Light inside of it.

And then held that Light up for all to see.

Warrior isn’t the title that she has earned.

She is the Hero.

Maybe that’s why her body is still wielding its sword, slashing at shadows.

We can’t tell her to stop fighting.

But at least we can take away her pain while she fights.

Book of Life and Death: A Book Review

I picked up this book at a library book sale a few weeks ago. Two middle-schoolers handed me a grocery sack and said that I could fill it with as many books as I wanted for $5.00. This was one of the books that I grabbed.

Signs of Life

I’m so glad that I did.

***

Signs of Life is a cogent blend of journalistic investigation and memoir that explores hospice, palliative care, and our modern preference for treating the human body as a battle field and death as failure. But it’s so much more than that.

Brookes shares stunning observations and insight about the dying process and the grief that follows it. He does more than gather facts. He narrates his mother’s last six months as she slowly dies from pancreatic cancer. This bittersweet combination of history, science, and human experience provide a multi-layered approach toward understanding this topic.

I was first struck by one of Brookes’ first arguments:

The more we try to avoid death, the more likely we are to end up with exactly the death that we fear the most: helpless, afraid, in pain, alone. (p. 24)

Brookes combines interviews with doctors and hospice nurses along with his own experience with observing the dissection of a human cadaver to show us the absurdity of treating death as failure even though death is absolutely certain.

Who knows whether our panic and hand-wringing in the hospital corridor are at the thought that someone is dying, or that someone is dying the wrong death, in the wrong place? (p. 205)

This observation, I feel, is key to unlocking some of our modern discourse around death. We all know that we’re going to die. But when our moment has come, we’re encouraged to deny that it’s happening. This isn’t my time. This isn’t the way.

***

We typically view the concept of living in physical terms: breathing, heartbeat, and brain activity. But this is limited, as those of us who have watched our loved ones fade away piece by piece can attest. In an especially insightful passage, Brooks defines living in terms of our ability to be creative, even in the most mundane sense. As his mother’s health declines to the point that she struggles to continue her silversmithing, Brookes explains how losing this ability to create is a kind of death.

Any action is an act of knitting the past with the present to create the future, of making things that will exist that will have consequences, that, like earrings, will still be there to be given away or shown off. Inaction, the stricture of a sterile environment, severs the connection through time and thus suspends life, as if death had soaked like a beet stain backwards through time and saturated the fabric of life still left. (p. 168)

Our ability to create, then, becomes the vehicle that connects our past, present, and future selves. As Brookes narrates his mother’s dying, we see her selves slowly detach from one another: first, from her future self, and then from her present self. What remains in her final days is a self that digresses further and further from the present world until she is nearly completely engulfed in her past.

It makes me think of what my mother told me about my father in his last days. Suffering already from Parkinson’s and depression, my father died of complications after he fell and broke his C-2 vertebrae. Several days before he passed away, my mother walked into his room in the nursing home and he asked her if she had “his whites washed.” She asked him what he meant. He said that he needed his whites washed so he could get ready for his shift at the bakery. In his mind, he was living in a moment that had happened thirty years earlier.

***

Brookes also expresses the experience of grief in words that resonated deeply with me. Here are several quotes that need no explanation. They are just pure, simple truth. I underlined them. I starred them. I nodded ferociously.

I had thought that grief was a sign of lack of completeness, a wailing for the piece of the self that is missing, and as such, bereavement is necessary for us to individuate, to be whole. Now I saw that individuation is a machine’s notion of humanity: we pour into each other like inks in water. To be complete is not to be unaffected, or if we are separate, we are also part of something else, something we have in common, that infiltrates us at every cell. (p. 210)

Somehow grief had given me an exquisite awareness of the difference between the things that were suffused with life and those that lacked life energy, or abused it. (p. 211)

I felt as if I were breaking myself into little pieces and feeding them to vultures… The difficulty comes in the crossover between the inner and the outer worlds, having to deal with the pressures of the material world at a time when we have just been somewhere else. (p. 247)

I didn’t have the energy—and perhaps above all I didn’t want to have to be the one to spell it all out: I was wounded, and I wanted someone else to take care of me, someone who understood it already. (p. 248)

***

About a year ago, I opened up about my own experience with connecting birth and death in a blog post called “What Labor and Death Have in Common.” In summary, I feel strongly that experiencing the pain of childbirth pushed me into a space where death came up alongside me—and I allowed it to stay. I didn’t panic. I didn’t fear it, simply because there was no time to fear it. I was consumed by the waves of contractions. And so I entered a space where my body and mind went to mute and all I could sense was… quite frankly, God.

This experience was so profound that I couldn’t stop thinking about it. I wished that there were some way to fully convey what I had sensed during these hours, but language couldn’t fully articulate it. I felt that I had grown a new pair of eyes that could see a whole new view of the world, as if I had learned how to bend light to hit objects in a new way.

I wrote about this in my book, Becoming Mother, but I placed it in a separate appendix at the end of the book, not totally sure that all readers would truly understand what I was talking about, or perhaps be turned off by too much “woo-woo.”

So imagine my surprise when I read Brookes’ account of how he felt after had said good-bye to his ailing mother and accepted her impending death. His description of walking alongside the inevitability of death mirrors perfectly my own experience in childbirth and the first few days that followed.

I was of this world, but not affected by it, my mind unencumbered by gravity. Remarkable thoughts kept occurring to me… It was as if I had burrowed through all the rubble of tedious necessity in my life and found myself in a chamber lit by some unknown source, walls covered with pictures and hieroglyphics… I felt immune to trouble or hardship; I couldn’t imagine anything that could defeat my spirit. It was as if I had an umbilicus to God… The euphoria lasted about five days… (but then) I felt like I had lost my soul: I simply couldn’t think myself back to the state of grace I had known… Being so close to death, it seemed, was offering me wisdoms that I wasn’t using. (pp. 193-195)

I could have written these exact words about my own encounter with experiencing and witnessing life’s beginning.

In fact, in my own book, I write these words:

I felt the presence of God for the first time in the darkness of a shower, hours past sleep deprivation, and in the hardest hours of labor. In those sacred moments, punctuated with pain, I was finally truly aware of a portion of the self that is beyond the body and beyond the mind. My spirit soared into the foreground. And there, in the quiet darkness, as water spilled over me, I was connected to the Divine. Its energy flowed into me, took control, and pushed me forward. It stayed with me for days. It caused me to glow. (p. 274)

After such a profound experience, I also went through an opposing wave of emotion, feeling that I had lost my center. I kept trying to get back to those moments of clarity and spiritual connection, but it just wasn’t possible.

I had a similar experience when my father passed away, though not nearly as profound. And it truly made me a believer that those who draw near those moments of birth and death also enter sacred spaces. Life coming in. Life going out. Life all around.

***

After I finished this book, I flipped to the front matter to check its year of publication and noticed a stamp from the library on the inside cover. Discard, it read.

I laughed. The irony was too much.

Then I flipped back to this passage:

To talk only of death makes death triumphant. The best thing we can do for the dead and for ourselves is to give them back their lives. It’s a kind of resurrection. (p. 232)

I feel that this is what I’ve done for Signs of Life today, as I retell its story, hoping that it finds even more readers 20 years later.

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